Tag: Australia

Wine Review: 2006 Rockford SVS Hoffmann Shiraz and 2006 Rockford SVS Flaxman Valley Shiraz

Wine Review: 2006 Rockford SVS Hoffmann Shiraz and 2006 Rockford SVS Flaxman Valley Shiraz

For those with an interest and passion for Australian wine generally and shiraz from South Australia particularly, these are interesting and exciting times. Wineries are taking a deeper interest in the subtle differences that occur within the regions that represent the focus of their work. At the same time, a more focused understanding of the subregions within these appellations are increasingly showcased in new releases that are limited in production and availability but unlimited in education and enjoyment. Some wineries are taking the final step and going even further by bottling wines from single sites to showcase their unique attributes.

This more mature and discerning look at a wine region is an exciting development that mirrors the way Burgundians look at their villages and crus. The ability to show the diversity of wines within many of South Australia’s wine regions is crucial in fighting the stereotype that all Aussie shiraz is big, bold and interchangeable. Plus, it’s just plain fun to explore and understand the differences, some drastic and others more nuanced, that exist within wine regions that we are just beginning to understand.

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Rockford Winery’s Cellar Door

Rockford Winery is one of the Barossa Valley’s cult wineries known as much for their rather rustic, or some would say romantic, approach to winemaking as for their wines, particularly their Basket Press shiraz. A visit to the winery is required to bear witness to the winemaking methods of the past and see how they are still harnessed to make world class wines today.

The Basket Press shiraz is a tribute to the many growers that owner Robert O’Callaghan believes are the foundation of the winery’s purpose as well as the cultural heritage of the Barossa Valley. As such, the wine is a classic representation of how wines were made in the past, a blend of grapes from growers all over the valley. And he claims that this “provides consistency and reliability that is not possible from a single vineyard.”

While single vineyard shiraz bottlings have a lengthy history in Australia going back to 1952 and the first bottling from the Hill of Grace vineyard by the Henschkes, the focus on wines from various subregions within districts like the Barossa Valley is a fairly recent phenomenon. Wineries like Yalumba (2005), First Drop (2005), and St. Hallett (2009), were among the first to release a range of wines, typically 3-5 different wines, that highlighted the subregional differences of the Barossa much as AVAs like Oakville and Rutherford perform the same function for Napa Valley. Today, most websites increasingly highlight the names of growers that supply fruit from the many small towns that are part of the Barossa’s matrix of vineyards.

A recent visit to Rockford’s cellar door provided a chance to taste a few of the winery’s 2006 single vineyard releases, a shiraz from the Hoffmann vineyard in the Ebenezer region and another bottling from the Flaxman Valley, a small subregion emerging from the diverse microclimates that comprise the Eden Valley. The “SVS” wines are typically available only at the cellar door and are produced in amounts of 100-300 cases and released after 6-8 years in bottle. The vineyards also very from year-to-year but the Hoffman and Flaxman bottlings have been made most frequently.

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2006 Rockford SVS Flaxman Valley Shiraz

Both wines showed particularly well with the broad, soft textures and diffused flavors of dried cherries atop soft earth notes that can only come from older Rockford wines. Most importantly, the wines showed their origins clearly. The Hoffmann shiraz was a bit more compact in shape and bolstered by fine tannins as one would expect from Ebenezer. The Flaxman cuvee is based on fruit from the same Chris Ringland vineyard that is the foundation for his acclaimed shiraz and possesses the ripe blackberry core that is the trademark of the site.

For being such staunch traditionalists, it came as a shock to me to find out that Rockford’s first SVS shiraz bottlings came from the 1996 vintage, almost a full decade before other wineries followed their lead. At that time in the US, the debate about Barossa shiraz was more about American vs. French oak. Understanding region and site was way off in the future. It seems that in their quest to honor the traditions of the Barossa Valley, they played a major role in creating a new one. Hat’s off to that!

Wine Review: 2004 Clarendon Hills “Hickinbotham” Grenache

Wine Review: 2004 Clarendon Hills “Hickinbotham” Grenache

At a masterclass on his wines a number of years ago, Clarendon Hills owner and winemaker Roman Bratusiak was asked what seemed to me to be an innocent question. “When you are at home,” she queried, “what Australian wines do you drink.” Roman, who is known for his somewhat brusque demeanor, huffed and said, “I don’t drink Australian wines. I drink Burgundy.” And that where things were left. With the 16 ton weight pervading the room.

Besides ruffling the feathers of the poor gal who innocently asked the question and leaving those in attendance wondering what kind of person would harrumph like that, the reference to Burgundy resonated for some time. His comments came to the forefront a few years later when I made my first visit to Clarendon Hills. When our group headed off to dinner, he brought along two cases of some pretty nifty wines (the second case contained duplicates in case of cork taint). They were all burgundies. You can’t fault a man for being true to his word.

That declaration about burgundy really got ahold of me the next day tasting through some barrels and current releases. Over and over again, I was impressed with the sense of restraint, the compact shape of the fruit, the emphasis on structure. More importantly, they stood in stark contrast to the descriptions offered by Robert Parker. These were not high-octane, gloppy wines devoid of focus. Here was length and line, classically compact in shape. Let there be no mistake, his wines were concentrated and intense but not what I expected given how Parker had often described his wines.

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Old vine Hickinbotham Grenache (picture from winery website)

Indeed, there was a Burgundian sensibility being expressed here. The use of French oak and little of it new. The search for expressions of terroir in the hills of McLaren Vale and bringing these subtle nuances to the forefront. Small volumes of wines made from individual plots of old vines, bottled separately.

These thoughts came back to me as I recently ensured that a bottle of 2004 Clarendon Hills “Hickinbotham” Grenache would fulfill its intended purpose. McLaren Vale grenache is one of the ultimate expressions of the grape to be found anywhere. It’s here where the classic chocolate-laced kirsch aromas and flavors are revealed in abundance. Mouth-filling yet showcasing that pinot-like presence on the palate, grenache from the Vale is usually a bit more substantial than what is found in the Barossa.

The Hickinbotham Vineyard is located over 800 feet above sea level in the rolling hills north of McLaren Vale village. The altitude helps to moderate temperatures a bit during the hot summers providing that finesse that is typical of fruit from the area. Roman’s parcel of grenache was planted in 1920 and these old vines contribute to the power lurking within the wines from this vineyard.

Older bottles of Hickinbotham Vineyard shiraz and grenache have proven to be among the most rewarding and cellar worthy wines in the Clarendon Hills portfolio. What made the 2004 Hickinbotham Grenache true to form was that classic kirsch bouquet, open and fragrant with woodsy spices lying underneath. The palate had softened yet still maintained that lifted, primary fruit. The wines from this vineyard, no matter the varietal, always have a firm, structural foundation and this wine followed that rule if a bit softer and broader now thanks to its age. The final observation fell to the wine’s balance and elegance, how after 13 years, this was a wine true to Roman’s approach. Here’s to Burgundy!

Thanks to Dino Stephanos for sharing this wine with me.

 

Wine Review: 2013 Mount Pleasant B-Side CF13 Dry Red (Hunter Valley)

Wine Review: 2013 Mount Pleasant B-Side CF13 Dry Red (Hunter Valley)

Over the past decade or so, the Hunter Valley has really revealed itself, not only as a bastion of youthful energy that has transformed the region as a locus for contemporary wines but also in resurrecting respect for the vines and vineyards that came before them. New bottlings highlighting individual plots of ancient vines are weaving compelling wines into the fabric of the Hunter. All of this after a decade or so that has seen Hunter semillon and shiraz reach new heights of quality.

The renewed respect for the older vines that are the backbone of the Hunter has led to many folks to take an even deeper look at what is actually planted there. While Australia does not compare when it comes to the wide variety of varietals grown in California, there are plots here and there that contain some pretty interesting stuff. McWilliams, one of the Hunter’s oldest wineries and owner of Mount Pleasant Winery, home to legendary winemaker Maurice O’Shea, is home to a rarity named montils. The grape recently found a home in their new wine program entitled B-Side which is devoted to experimental, small batch winemaking.

The original home for montils is in the Cognac region of France where it’s also used to make eau-de-vie. It ended up in the Hunter as part of the Busby collection of grapes that contributed to the foundation of Australia’s wine industry back in the 1830s. Prized for its ability to maintain a low pH in warm climates, it has fallen out of favor in France.

13332915_10153670472171149_3571934894324661444_nNew plantings of the grape have been recently arranged from the original vines that were planted in the 1920s at the winery’s home vineyard. Winemaker Scott McWilliams decided to round up some shiraz planted by O’Shea in his Rosehill vineyard back in 1946 and co-ferment the two grapes as was done back in the day. Because there was so little montils available, only 800 bottles were made.

The result is a translucent, pale red wine that is a perfect wine for those desirous of a lighter styled wine. Fresh and crunchy red fruits fill the palate but resonate lightly thanks to some crisp acids. Bits of spice and light tannins frame the whole experience, both aromatically and texturally, thanks to a bit of stems in the ferment and old Hungarian oak. A couple of years should see this wine pick up a bit of weight and the acidity mellow.

This is a great window into Australia’s movement towards lighter, fresher red wines that are also seen in wines like 2015 Te Mata Gamay Noir and 2015 De Bortoli La Boheme Syrah/Gamay. These local products are starting to populate the hipster wine bar scene there and could easily make a splash in the States. Quaffable and refreshing, one can feel the mustache grow and the tats form a sleeve on your arm as you quickly polish off the glass and reach for another.